Step into the YAMS era with Yung Miami as she kicks things off with her inaugural freestyle, “50/50” (Quality Control Music/Motown). With her trademark fierce attitude and undeniable talent, Yung Miami wastes no time making her mark on the track.
In “50/50,” Yung Miami takes control of the narrative, delivering bars that are fierce, funny, and direct. She confidently asserts her worth, making it clear that she’s not one to be underestimated: “I make him change his mind the first week/I’m too pretty to be sitting in the nose bleeds/Court side white toes/My ass eat up the whole seat.” With each line, Yung Miami asserts her independence and refuses to conform to anyone else’s expectations.
Moreover, Yung Miami addresses sexist commentary head-on, shutting down anyone who dares to speak ill of women: “Why u speaking on women/Yea leave him lone/Mr. Pocket pussy what u beatin on/U see this face/I ain’t one of them bitches u can hang up on.” Her confidence and self-assurance are palpable, empowering listeners to embrace their own strength and individuality.
As Yung Miami ushers in the YAMS era, she brings her Miami roots front and center, representing Opa-Locka with pride. With “50/50,” she demands the spotlight she rightfully deserves, reclaiming her place in the prime time spotlight.
Get ready to ride the wave with Yung Miami as she takes control and sets the stage for what’s to come in the YAMS era.
